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Claude McKay

Portrait Gallery

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
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Object Details

Artist

Berenice Abbott, 17 Jul 1898 - 9 Dec 1991

Sitter

Claude McKay, 15 Sep 1889 - 22 May 1948

Exhibition Label

Born Sunny Ville, Jamaica
Melding lyric poetic forms with the bitter realities of racism in Jamaica and the United States seemed an unlikely combination. But poet-novelist Claude McKay (1889–1948) made it work, and Harlem Shadows (1922), his fourth collection of poems, is regarded as a major catalyst in unleashing the cultural ferment of the Harlem Renaissance. Of the poems in Harlem Shadows, the best remembered is “If We Must Die.” First published in the socialist journal the Liberator, it was inspired by the rash of race riots across the United States in 1919, and it closes with these lines:
Like men we’ll face the murderous cowardly pack, Pressed to the wall, dying, but fighting back!
Those eloquently defiant words made this poem a call to action for the emerging civil rights activists in the United States and for international leaders, such as Winston Churchill. Here, U.S. photographer Berenice Abbott has portrayed the peripatetic McKay in Paris.
Nacido en Sunny Ville, Jamaica
Fundir la poesía lírica con la amarga realidad del racismo en Jamaica y Estados Unidos parecería tarea improbable, pero el poeta y novelista Claude McKay (1889–1948) la efectuó con éxito. Sombras de Harlem (1922), su cuarto poemario, se considera un importante catalizador en la eclosión cultural del Renacimiento de Harlem. De esos poemas, el más recordado es “Si hemos de morir”, estrenado en la revista socialista The Liberator e inspirado por los numerosos disturbios raciales de 1919 en EE.UU. Termina así:
Como hombres enfrentaremos a la jauría cobarde y asesina, empujados contra la pared, muriendo, ¡pero luchando!
Esta elocuencia desafiante convirtió al poema en un llamado a la acción para los nuevos activistas pro derechos civiles en EE.UU. y para líderes internacionales como Winston Churchill. Aquí, la fotógrafa estadounidense Berenice Abbott ha retratado al inquieto viajero McKay en París.

Credit Line

National Portrait Gallery, Smithsonian Institution

Date

1926

Object number

NPG.82.167

Restrictions & Rights

Usage conditions apply

Copyright

© Berenice Abbott/Getty Images

Type

Photograph

Medium

Gelatin silver print

Dimensions

Image/Sheet: 24.3 × 19.5 cm (9 9/16 × 7 11/16")
Mount: 35.9 × 28.3 cm (14 1/8 × 11 1/8")
Mat: 55.9 × 40.7 cm (22 × 16")

Place

United States\New York\Kings\New York

See more items in

National Portrait Gallery Collection

Exhibition

The Struggle for Justice - Current Installation

On View

NPG, West Gallery 220

Data Source

National Portrait Gallery

Topic

Interior
Home Furnishings\Furniture
Home Furnishings\Furniture\Seating\Chair
Costume\Dress Accessory\Scarf
Home Furnishings\Curtain
Personal Attribute\Teeth
Claude McKay: Male
Claude McKay: Arts and Culture\Literature\Writer\Poet
Claude McKay: Arts and Culture\Journalism and Media\Magazine editor
Claude McKay: Arts and Culture\Literature\Writer\Novelist
Portrait

Metadata Usage

Usage conditions apply

Link to Original Record

http://n2t.net/ark:/65665/sm46155e458-2d8d-4665-b5b3-69abf10c5144

Record ID

npg_NPG.82.167

Discover More

2c Sesquicentennial Exposition single with the Liberty Bell

1926: A Year in the Collections

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