Skip to main content Skip to main navigation
heart-solid My Visit Donate
Home Smithsonian Institution IK development site for ODI
Press Enter to activate a submenu, down arrow to access the items and Escape to close the submenu.
    • Overview
    • Museums and Zoo
    • Entry and Guidelines
    • Museum Maps
    • Dine and Shop
    • Accessibility
    • Visiting with Kids
    • Group Visits
    • Overview
    • Exhibitions
    • Online Events
    • All Events
    • IMAX & Planetarium
    • Overview
    • Topics
    • Collections
    • Research Resources
    • Stories
    • Podcasts
    • Overview
    • For Caregivers
    • For Educators
    • For Students
    • For Academics
    • For Lifelong Learners
    • Overview
    • Become a Member
    • Renew Membership
    • Make a Gift
    • Volunteer
    • Overview
    • Our Organization
    • Our Leadership
    • Reports and Plans
    • Newsdesk
heart-solid My Visit Donate

Camera-read comic art drawing for Priscilla's Pop

American History Museum

Comic art by Al Vermeer, Priscilla's Pop (Copyright Universal Uclick)
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer

Object Details

graphic artist

Vermeer, Al

publisher

NEA, Inc.

Description (Brief)

This pen-and-ink drawing prepared for the Priscilla’s Pop comic strip shows Priscilla receiving money from a relative. Her parents think she’ll save the money, but she uses it for mechanical pony rides instead.
Albert Hermann "Al" Vermeer (1911-1980) began his career in newspapers as a sports writer, then as a sports illustrator. In 1946 his comic strip Priscilla’s Pop, inspired by his own family, was published. He worked on the strip until 1976.
Priscilla’s Pop (1946-1983) was a comic strip representing an average American family. Pop was a man named Waldo Nutchell. His family included his wife, Hazel; their son, Carlyle; their daughter, Priscilla; and their dog Oliver. Running themes in the strip were the family’s money problems and Priscilla's interest in spending more money.

Location

Currently not on view

Credit Line

Newspaper Comics Council, Inc., New York, NY

date made

1966-08-14

ID Number

GA.22526

catalog number

22526

accession number

277502

Object Name

drawing

Other Terms

drawing; Pen and Ink

Physical Description

paper (overall material)
ink (overall material)

Measurements

overall: 44.5 cm x 65 cm; 17 1/2 in x 25 9/16 in

See more items in

Work and Industry: Graphic Arts
Cultures & Communities
Comic Art
Communications

Data Source

National Museum of American History

Metadata Usage

CC0

Link to Original Record

https://n2t.net/ark:/65665/ng49ca746a5-cb4b-704b-e053-15f76fa0b4fa

Record ID

nmah_799611

Discover More

Peanuts comic strip of Lucy Van Pelt setting up a football for Charlie Brown to kick, which he misses when she moves the ball last minute.

References

Peanuts comic strip of Lucy Van Pelt setting up a football for Charlie Brown to kick, which he misses when she moves the ball last minute.

Comic Art

Peanuts comic strip of Lucy Van Pelt setting up a football for Charlie Brown to kick, which he misses when she moves the ball last minute.

Comic Art

arrow-up Back to top
Home
  • Facebook facebook
  • Instagram instagram
  • LinkedIn linkedin
  • YouTube youtube

  • Contact Us
  • Get Involved
  • Shop Online
  • Job Opportunities
  • Equal Opportunity
  • Inspector General
  • Records Requests
  • Accessibility
  • Host Your Event
  • Press Room
  • Privacy
  • Terms of Use