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Billie Holiday

Portrait Gallery

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
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Object Details

Artist

Sid Grossman, 25 Jun 1913 - 31 Dec 1955

Sitter

Billie Holiday, 7 Apr 1915 - 17 Jul 1959

Exhibition Label

Born Baltimore, Maryland
In 1937, Bronx schoolteacher Abel Meeropol (1903–1986) wrote a poem of protest after viewing a horrific photograph of African American lynching victims. When set to music, his poem became “Strange Fruit”—the haunting indictment of Southern lynching that emerged as one of Billie Holiday’s most iconic songs.
Holiday was no stranger to racism. Among the first black vocalists to headline an all-white band when she joined Artie Shaw’s Orchestra in 1938, she suffered discriminatory treatment and racially charged heckling while touring with the ensemble.
During an engagement at Café Society in Greenwich Village in 1939, she introduced “Strange Fruit” to an audience that responded first with stunned silence before erupting in vigorous applause. Holiday’s subsequent recording of “Strange Fruit” brought its message to the public at large and helped move “the tragedy of lynching out of the black press and into white consciousness.”
Nacida en Baltimore, Maryland
En 1937, un maestro del Bronx llamado Abel Meeropol (1903–1986) escribió un poema de protesta luego de ver una espantosa fotografía de afroamericanos linchados. Más tarde alguien musicalizó el poema y este se convirtió en “Strange Fruit” (“Fruta extraña”), la escalofriante denuncia de los linchamientos sureños que llegó a ser canción emblemática de Billie Holiday.
El racismo no le era ajeno a Holiday. Fue una de las primeras vocalistas de raza negra que encabezaron un conjunto de blancos—la orquesta de Artie Shaw, a la que se integró en 1938—y en las giras sufrió tratos discriminatorios y burlas de tono racial. Durante una presentación en el Café Society de Greenwich Village en 1939, cantó por primera vez “Strange Fruit” ante un público que primero reaccionó con un silencio de estupefacción, para luego irrumpir en vigorosos aplausos. La posterior grabación de “Strange Fruit” por Holiday difundió el mensaje entre el amplio público y contribuyó a sacar
“la tragedia de los linchamientos fuera de la prensa negra e insertarla en la consciencia de los blancos”.

Credit Line

National Portrait Gallery, Smithsonian Institution

Date

c. 1948

Object number

NPG.87.44

Restrictions & Rights

Usage conditions apply

Copyright

© Miriam Grossman Cohen, courtesy Howard Greenberg Gallery

Type

Photograph

Medium

Gelatin silver print

Dimensions

Image/Sheet: 33.6 × 27.3 cm (13 1/4 × 10 3/4")
Mat: 71.1 × 55.9 cm (28 × 22")

See more items in

National Portrait Gallery Collection

Location

Currently not on view

Data Source

National Portrait Gallery

Topic

Costume\Jewelry\Necklace
Costume\Jewelry\Earring
Interior
Billie Holiday: Female
Billie Holiday: Arts and Culture\Performing Arts\Music\Musician\Singer\Jazz singer
Portrait

Metadata Usage

Usage conditions apply

Link to Original Record

http://n2t.net/ark:/65665/sm4bdbd308c-f687-4bbd-a37e-0b1c7aca4dc0

Record ID

npg_NPG.87.44

Discover More

Portrait of Billie Holiday

Lady Day: Billie Holiday

Jazz Photography

Jazz Portraiture

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Jazz in the Collections

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