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Aurora Borealis

American Art Museum

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    Object Details

    Artist

    Frederic Edwin Church, born Hartford, CT 1826-died New York City 1900

    Gallery Label

    Under a dark Arctic sky, polar explorer Isaac Israel Hayes's ship, the SS United States, lies frozen in the pack ice at the base of a looming cliff. The auroras above erupt in a cascade of eerie lights, while the dogsled implies the hope of rescue from this icy prison. Hayes and Frederic Church were friends, and upon Hayes's return from the Arctic in 1861, he gave Church his sketches as inspiration for this painting. When Hayes returned to New York, the country was in the thick of civil war and, in a rousing speech, he vowed that "God willing, I trust yet to carry the flag of the great Republic, with not a single star erased from its glorious Union, to the extreme Northern limits of the earth."
    During the Civil War, the auroras--usually visible only in the north---were widely interpreted as signs of God's displeasure with the Confederacy for advocating slavery, and of the high moral stakes attached to a Union victory. Viewers understood that Church's painting of the Aurora Borealis (also known as the northern lights) alluded to this divine omen relating to the unresolved conflict.

    Exhibition Label

    The ship and sled team in this image belonged to Frederic Church's friend, polar explorer Dr. Isaac Hayes. Hayes had led an Arctic expedition in 1860, and gave his sketches from the trip to the artist as inspiration for this painting. Hayes returned from his voyage to find the country in the thick of the Civil War, and in a rousing speech vowed that "God willing, I trust yet to carry the flag of the great Republic, with not a single star erased from its glorious Union, to the extreme northern limits of the earth." Viewers understood Church's painting of the Aurora Borealis (also known as the northern lights) as a portent of disaster, a divine omen relating to the conflict.
    Exhibition Label, Smithsonian American Art Museum, 2006

    Publication Label

    The Civil War defined America and forever changed American art. American artists of this era could not depict the conflict using the conventions of European history painting, which glamorized the hero on the battlefield. Instead, America's finest painters captured the transformative impact of the war. Through landscapes and genre paintings, these artists gave voice to the nation's highest ideals and deepest concerns — illustrating a time that has been described as the second American Revolution.
    Smithsonian American Art Museum: Commemorative Guide. Nashville, TN: Beckon Books, 2015.

    Credit Line

    Smithsonian American Art Museum, Gift of Eleanor Blodgett

    Date

    1865

    Object number

    1911.4.1

    Restrictions & Rights

    CC0

    Type

    Painting

    Medium

    oil on canvas

    Dimensions

    56 x 83 1/2 in. (142.3 x 212.2 cm)

    See more items in

    Smithsonian American Art Museum Collection

    Department

    Painting and Sculpture

    Data Source

    Smithsonian American Art Museum

    Topic

    Waterscape\boat
    Waterscape\sea
    Waterscape\coast
    Landscape\weather\snow
    Landscape\phenomenon\aurora

    Metadata Usage

    CC0

    Link to Original Record

    http://n2t.net/ark:/65665/vk7045f8e74-3e7b-458d-8442-301c4e8e8382

    Record ID

    saam_1911.4.1

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