Object Details
Summary
The album was compiled by Eugene Brusseaux, a French colonial, very likely a merchant, who lived, worked and traveled in the Republic of Congo and the Central African Republic (then Afrique Equatoriale Francaise), and in northern Cameroon (then German colony of Kamerun). The images may well have been taken by Brusseaux himself. Mr. de Strycker acquired the album, which previously belonged to Professor Verneau of the Musee de L'Homme, Paris, in a sale from Professor Verneau of the Musee de l'Homme, Paris.
The album shows the classic arrangement of many similar colonial albums, depicting Brusseaux's voyage from France to Libreville in Gabon, and Matadi on the mouth of the Congo River. From there Brusseaux took the railroad to Leopoldville (Kinshasa) and traveled on the Brazzaville. He continued on the Congo River to Balobo and Kounda, then over land towards the Sangha River, through Bonga and Loboko to M'Bako on the Sangha River and to Ouesso, now on the border of the Republic of the Congo and the Central African Republic. From Ouesso, he continued on to Nola, Carnot and Baboua. He then visited Kounde, and crossed into German territory, moving on the Ngaoundere. This is where the album ends.
The photographs depict some of the Belgian and French colonial cities. There are excellent images of transportation in Matadi. Brazzaville is the topic of many good architectural photographs. A very interesting set shows the Catholic Mission of Brazzaville in 1901 and 1904 with a unique interior shot of the cathedral. Further inland, the photographs of colonial settlements focus on trading posts, such as Bonga, Kadei, Carnot and Baboma. Many photographs show Africans, indigenous architecture, and celebrations. They focus on the Pomo, the Pande, the Baya (Baja in German writing), and Hausa and Fulbe. Images from Baboma, Kounde and Ngaoundere show indigenous Fulbe architecture, including a series of the Lamido's palace at Ngaoundere, and Fulbe kings, retainers and women. One set depicts women with Fulbe style coiffures of extraordinary complexity (wigs).
sova.eepa.1999-004
Collector
Brusseaux, Eugene
Place
Libreville (Gabon)
Central African Republic
Cameroon
Kinshasa (Congo)
Congo (Brazzaville)
Brazzaville (Congo)
Africa
Culture
Ngbandi (African people)
Pomo (African people)
Gbaya (African people)
Hausa (African people)
Extent
35 Copy negatives (black & white, 6 x 7 cm.)
354 Photographic prints (silver gelatin (1 box), black & white, 7 x 8 cm. or smaller.)
Date
between 1900-1905
Container
Item 353
Box 1
Custodial History note
Purchased, 1999. Conserved through a preservation grant funded by the Smithsonian Institution Women's Committee, 2006.
Archival Repository
Eliot Elisofon Photographic Archives, National Museum of African Art
Identifier
EEPA.1999-004
Type
Collection descriptions
Archival materials
Copy negatives
Photographic prints
Negatives
Arrangement note
Images indexed by negative number.
Rights
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form
Photographic prints
Negatives
Restrictions
Use of original records requires an appointment. Contact Archives staff for more details.
EEPA.1999-004
https://n2t.net/ark:/65665/xo7f8445360-3f80-468d-8961-c226e1c8682f
EEPA.1999-004
EEPA
Record ID
ebl-1536864678519-1536864678521-0
