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Constance Stuart Larrabee Collection

African Art Museum

Ndebele Woman at Doorway
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
Finding aid
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .

Object Details

Summary

The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Loved, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Manuscript and office files include clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other materials that document Larrabee's career, family history, and personal life.

Scope and Contents

The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Lovedu, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Notable people photographed include Noel Coward, Gwen Ffangcon Davies, Athol Fugard, Nadine Gordimer, Norman Hackforth, Freida Lock, Ivor Novello, Alan Paton, Alexis Preller, Gerard Sekoto, and Marda Vanne. The manuscript materials and office files are comprised of clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other manuscript materials that document Larrabee's career, family history, and personal life.
sova.eepa.1998-006

GUID

https://n2t.net/ark:/65665/xo73ffd6319-f297-4673-b633-778332d2e920

Photographer

Larrabee, Constance Stuart

Place

Botswana
Lesotho
South Africa
Swaziland
Africa

Topic

Lobedu (African people)

Provenance

Donated by Constance Stuart Larabee in 1986 and 1998.

Photographer

Larrabee, Constance Stuart

Culture

Ndebele (African people)
Zulu (African people)
Xhosa (African people)
Swazi (African people)

See more items in

Constance Stuart Larrabee Collection

Sponsor

The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.

Biographical/Historical note

Photographer Constance Stuart Larrabee (1914-2000) was best known for her images taken in South Africa. Born in Cornwall, England, she was raised in Pretoria. She studied photography in London (1933-1935) and at the Bavarian State Institute for Photography in Munich (1935-1936), where she was influenced by the avant-garde work of artists at the Bauhaus. Returning to South Africa, Larrabee set up a studio and photographed many leading cultural and political figures of the period. During World War II she served as South Africa's first woman war correspondent, and in 1950 she married American Sterling Larrabee and moved to the United States. Larrabee began photographing the peoples of South Africa in the late 1930s. She published extensively, including a portfolio produced for the book Cry, the Beloved Country, by Alan Paton (New York: C. Scribner's Sons, 1948). Her work has appeared in exhibits throughout the world, including the following: The Lovedu in Pretoria, 1947; The Family of Man (Museum of Modern Art, 1955); Tribal Photographs (Corcoran Art Gallery, 1984; and Go Well, My Child (National Museum of African Art, Smithsonian Institution, 1986).

Extent

circa 11000 Negatives (photographic) (black and white and color, 2.5 x 2.5 inches or smaller)
circa 5000 Photographic prints (silver gelatin, black and white, 8 x 10 inches or smaller)
circa 20 Linear Feet (Manuscript Materials)
5.4 Linear Feet (Office Files)

Date

1900-1997

Archival Repository

Eliot Elisofon Photographic Archives, National Museum of African Art

Identifier

EEPA.1998-006

Type

Collection descriptions
Archival materials
Negatives (photographic)
Photographic prints
Negatives

Citation

Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Arrangement

Arranged by format into 3 series: Series 1: Photographs, circa 1936-circa 1988 Series 2: Manuscript Materials, circa 1936-circa 1996 Series 3: Office Files, 1900-1997

Processing Information

Metadata prepared by Kelsey Arrington-Ashford and Hannah Storch, 2018. Manuscript inventory by Emily Petro. Finding aid by Eden Orelove, 2019.

Rights

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Genre/Form

Photographic prints
Negatives

Restrictions

Use of original records requires an appointment. Contact Archives staff for more details.

Constance Stuart Larrabee collection (COR0011-MS)

Collection held at the George Washington University Archives and Special Collections. Includes artifacts, correspondence, exhibition files, photographs, negatives, and publication files of Constance Stuart Larrabee, photographer and South Africa's first woman war correspondent. A bulk of the materials document Larrabee's time in Europe as a correspondent and photographer during World War II.
EEPA.1998-006
Large EAD
https://n2t.net/ark:/65665/xo73ffd6319-f297-4673-b633-778332d2e920
EEPA.1998-006
EEPA

Record ID

ebl-1539205658568-1539205662716-0

Showing 505 result(s)

  • Archival materials 505 Filter by term plus Exclude term minus
  • 1910s 488 Filter by term plus Exclude term minus
  • 1920s 488 Filter by term plus Exclude term minus
  • 1930s 488 Filter by term plus Exclude term minus
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  • Constance Stuart Larrabee Collection 505 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / South Africa 88 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / "Tribal Information" / "Tribal Information" 39 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / Pretoria, South Africa; London; Germany 37 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / "Seek What is True" / "Seek What is True" 35 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials 34 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / Ndebele 22 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / South Africa: The Afrikaners, Nagmaal 21 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / South Africa Theatre, Nan Munro, M. Inglis 16 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / South Africa: Cape Town 16 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / Bushmen: South Africa 14 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / Transkei 13 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / Early Family Pictures 12 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / Miscellaneous 12 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / South Africa, Johannesburg 11 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / South Africa, Johannesburg Art Gallery 11 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / South Africa / South Africa 10 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / Tribal Pertinent to South Africa 10 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / South Africa: Nagmaal 8 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / Basutoland, Royal Visit 7 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / South Africa: Bechuanaland 7 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / "Johannesburg Black Man" 6 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / Alan Paton's Obituaries 6 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / South Africa: Ned Bank / South Africa: Ned Bank 6 Filter by term plus Exclude term minus
  • Constance Stuart Larrabee Collection / Series 2: Manuscript Materials / South Africa: Lovedu: Modern Age 5 Filter by term plus Exclude term minus
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Clear facet(s):

Included:

  • Remove Date: 1900s close

Negatives of paintings by Alexis Preller. (11) [Moved to another folder].

Vintage Photo by Constance Stuart Larrabee: Woman in wagon with family. [Moved to another folder].

Leaflet for performance: The Merry Wives of Windsor by William Shakespeare at the Opera House, Pretoria. The names "Gwen Ffrangcon-Davies" and "Marda Vanne" appear on the front cover.

Newspaper clipping discussing the "round of parties usual at this time of the year," including a party given by Constance Stuart.

Notes, with negative numbers and photo captions.

Newspaper article entitled "Tradition fades as rifles and radios become the norm", regarding Bushmen and modernity.

Newspaper clipping with wedding photo of Mrs. Chris van Rensburg, with handwritten note in pink ink… "Please post this to your mother. I can't get another…"

Photograph: Three carved figures against a burlap background, mounted on cardboard, and signed Constance Stuart in pencil under the photograph. Removed to vintage print box.

Leaflet for performance: "The Munro-Inglis Co. (in collaboration with African Consolidated Theatres Ltd.) presents Nan Munro in Ladies in Retirement by Edward Percy and Reginald Denham. Among acknowledgements: "Photographs by Constance Stuart."

Newspaper article entitled "Owner donates Wye Plantation to institute", explaining that owner of Wye Plantation, on the Eastern shore of Maryland, is giving his land to the Aspen Institute for Humanistic Studies.

Newspaper clipping entitled "Bantu Portraits," describing exhibition at Argus Gallery of Constance Stuart's photographs of Basutos.

Mini-essay from Constance Stuart Larrabee entitled "Bechuanaland."

Captions for the Voortrekker Monument, "A Monument to Courage."

Page 25 [of unknown book] entitled "Let Us Build Our Houses," with two photographs by Constance Stuart.

South Africa: Ned Bank

Photograph: a woman in a plaid, long-sleeved blouse sitting on the ground holding three dogs. [The photograph is mounted on black construction paper; the reverse side shows evidence of glue-like mounting method.] Removed to vintage print box.

"Spyskaart Menu."

Essay entitled "The Ndebele." See item 232.

Leaflet for performance: "The Munro-Inglis Company presents Nan Munro and Noël Willman in Lady Frederick by Somerset Maugham." Among acknowledgements: "Photographs by Constance Stuart." Advertisement reading "Be Photographed by Constance Stuart."

Magazine articles: "The Campbell Collections," pp. 35, 37-39 (about an old family estate in Durban, "an imposing white neo-Cape Dutch style house commanding magnificent views over the city and Indian Ocean," that is maintained as a museum by the University of Natal). "The Education of Black South Africans," pp. 47-52 (an outlook on the future of South Africa's educational system and its availability to the black population).

Article entitled "Swaziland Becomes Independent."

Photograph: Constance Stuart Larrabee, in overalls, sitting on a lawn, with trees in the background. Removed to vintage print box.

Index card with notes.

Essay: see item 371.


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