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Ralph Rinzler papers and audio recordings

Folklife and Cultural Heritage

Award Certificates
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Finding aid
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Object Details

Summary

This collection, with bulk dates from 1950-1994, documents the life of Ralph Rinzler and his professional activities as Director of Field Programs for the Newport Folk Festival, Director of the Smithsonian Folklife Festival (formerly the Festival of American Folklife) and the Office of Folklife Programs (now the Center for Folklife and Cultural Heritage), and the Smithsonian Institution's Assistant Secretary for Public Service. Includes personal papers, business records, correspondence, notes, photographs, audiotapes and field recordings.

Scope and Contents

The Ralph Rinzler Papers and Audio Recordings encompasses a wide range of materials from Rinzler's prolific personal and professional life. Predominantly consisting of clippings, collected texts, correspondence, meeting notes, photographs, and production materials, this collection charts Rinzler's role in the mid-twentieth century emergence of community-based and institutional efforts to preserve, sustain, and amplify cultural heritage. As an assemblage of materials from all aspects of his life, the Ralph Rinzler Papers also reflect the many integral relationships he developed throughout the years with his colleagues, contemporaries, family, and friends.
sova.cfch.rinz

GUID

https://n2t.net/ark:/65665/bk51af02b1d-29bd-42f2-a8e7-d35c9bab6da0

Shared Stewardship of Collections

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.

Creator

Rinzler, Ralph

Names

Festival of American Folklife
Folkways Records
Greenbriar Boys
Jugtown Pottery (Firm)
Newport Folk Festival
Smithsonian Folklife Festival
UNESCO
Carter, Jimmy, 1924-
Hawes, Bess Lomax, 1921-2009
Lomax, Alan, 1915-2002
Monroe, Bill, 1911-1996
Rinzler, Kate, 1937-2010
Sayles, Charlie
Seeger, Anthony
Seeger, Mike, 1933-2009
Seeger, Pete, 1919-2014
Seeger, Toshi
Watson, Doc

Topic

Folk festivals
Folk music -- Southern States
Folk music -- United States

Provenance

The materials in this collection were deposited into the archives of the Center for Folklife and Cultural Heritage over a number of years by Ralph Rinzler, Kate Rinzler, and Jeff Place in honor of the aforementioned. From the 1980s until Ralph Rinzler's passing in 1994, the Center received the majority of the audio tapes and photographs in this collection directly from Rinzler. With Rinzler's death in 1994, Jeff Place reviewed and deposited the majority of Rinzler's papers at the Center. Until her passing in 2011, Kate Rinzler donated materials to this collection, with more continuing to arrive via her estate (as of May 2021). Many of these items were rehoused in the Kate Rinzler Papers.

Creator

Rinzler, Ralph

See more items in

Ralph Rinzler papers and audio recordings

Biographical/Historical note

Ralph Rinzler (1934-1994) was born in Passaic, New Jersey, and was interested in music at an early age. He was given a collection of ethnographic recordings from the Archive of Folk Song of the Library of Congress by his uncle, Harvard University ballad scholar George Lyman Kittredge, and they soon became his favorites. He became actively involved in the Folk Revival while attending Swarthmore College, organizing an annual festival on campus. He received his B.A. in 1956, and did graduate work at Middlebury College and the Sorbonne in French literature and language. Upon his return to the United States, he played mandolin for four years with the Greenbriar Boys, at times touring with singer Joan Baez. During the 1960s, he also studied, recorded, and worked with performers of traditional music, such as Doc Watson and Bill Monroe, both of whom gained international recognition in part through his efforts. In 1964, Rinzler accepted the position of Director of Field Programs at the Newport Folk Foundation, which involved the planning and programming of the Newport Folk Festival. Rinzler came to the Smithsonian in 1967 as co-founder of the Festival of American Folklife (now the Smithsonian Folklife Festival) with James Morris in what was then the Smithsonian's Division of Performing Arts. After the 1976 Bicentennial Festival, Rinzler became the founding director of the Office of Folklife Programs (now the Center for Folklife and Cultural Heritage) to establish a center for research, publication, and presentation of programs in American culture and tradition. As Director, he initiated Smithsonian Folklife Studies, a publication series, and did research for the Celebration exhibit, which opened at the Renwick Gallery in 1982. Rinzler was appointed Assistant Secretary for Public Service in 1983 and Assistant Secretary Emeritus in 1990. Ralph Rinzler died on July 2, 1994.

Extent

106.32 Cubic feet (87.5 cubic feet of papers, 18.82 cubic feet of audio)

Date

1890-2011
bulk 1950-1994

Archival Repository

Ralph Rinzler Folklife Archives and Collections

Identifier

CFCH.RINZ

Type

Collection descriptions
Archival materials
Photographs
Field recordings
Correspondence
Phonograph records
Notes
Business records
Audiocassettes
Photographic prints
Black-and-white negatives
Audiotapes

Citation

Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Arrangement note

The collection is currently arranged in 9 archival series as follows: 1. Biographical 2. Collected Texts 3. Correspondence 4. Events 5. Fieldwork 6. Meetings and Organizations 7. Notable Figures 8. Publishing and Production 9. Audio The papers and photographs contained in the first 8 series are processed at an intermediate level, which means that all material was rehoused in archival folders, with folder-level arrangements and descriptions. Individual items within folders may not be fully arranged or described, due to the collection's level of complexity when it was deposited in the Archives. When possible, folders were arranged alphabetically within series and subseries.

Processing Information

The Rinzler Papers did not arrive in the Archives with any discernible original order. For many years, a preliminary inventory was the only access point to the papers. Since August 2011, a significant amount of survey and analytical work allowed archivists to impose order across nearly all of the papers. With the resulting folder-level arrangement across each series and subseries, many of the folders are accompanied by scope and content notes. In the spring of 2021, the collection and its accompanying finding aid were revisited and further refined. Processing remains ongoing for oversize materials (as of May 2021).

Rights

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Genre/Form

Photographs
Field recordings
Correspondence
Phonograph records
Notes
Business records
Audiocassettes
Photographic prints
Black-and-white negatives
Audiotapes

Restrictions

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
CFCH.RINZ
Large EAD
https://n2t.net/ark:/65665/bk51af02b1d-29bd-42f2-a8e7-d35c9bab6da0
CFCH.RINZ
CFCHFOLKLIFE

Record ID

ebl-1622214016714-1622214016827-0

Showing 73 result(s)

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  • Ralph Rinzler papers and audio recordings 73 Filter by term plus Exclude term minus
  • Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs 57 Filter by term plus Exclude term minus
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  • Ralph Rinzler papers and audio recordings / Series 9: Audio / Non-Commercial / Fieldwork / Open Reel Tapes (RR) 2 Filter by term plus Exclude term minus
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Clear facet(s):

Included:

  • Remove Topic: Autoharp close

Titanic, The/Where the Sunset Turns the Ocean Blue to Gold/Railroading on the Great Divide/Wildwood Flower

Folk Music in America, Vol. 12: Songs of Local History and Events [sound recording]

Interviews with Maybelle Carter, McGee Brothers and Arthur Smith while traveling in car

Copies of Commercial 78s of the Carter Family (from Eugene Earle)

Maybelle Carter and McGhee Brothers NYC Concert 1965

The Original and Great Carter Family

Will the Circle Be Unbroken

Carter Family LP Album No. 1: All Time Favorites

Rinzler Fieldwork: Maybelle Carter and Ralph Rinzler at Grinnell College

The Legendary Original Carter Family

Interviews with Maybelle Carter, McGee Brothers and Arthur Smith while traveling in car

The Original Bogtrotters

Who's Gonna Shoe Your Pretty Little Foot? Who's Going to Glove Your Hand?

Rinzler Fieldwork: Guy Carawan and Frank Hamilton; Maybelle Carter at the Ash Grove (Los Angeles, California)

Keep on the Sunnyside: In Memory of A.P. Carter

Most Requested Sacred Songs of the Carter Family

Great Original Recordings by the Carter Family

Vol. 6: The Broken Hearted Lover/Two Sweethearts/I Never Will Marry/Happy for Lonesome

Autoharpin'

Folk Music in America, Vol. 5: Dance music: ragtime, jazz & more

Silver Haired Daddy/Honey in the Rock/Foreign Fields/We'll Work 'Till Jesus Comes/Pilgrim of Sorrow/Jordan's Stormy Banks

Traditional Music at Newport 1964, Part 1

Interviews with Maybelle Carter, McGee Brothers and Arthur Smith while traveling in car

Pickin' and Singin'


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