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Una Hanbury papers

Archives of American Art

O'Keeffe, Georgia
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
Finding aid
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .

Object Details

Summary

The papers of Una Hanbury measure 5.3 linear feet and date from 1910 to 1994, with the bulk of the material from 1966 to 1990. The collection documents the sculptor's career and the dispersal of her estate through business records, project files, subject files, printed material, and photographs. There is also a small amount of material relating to her personal life including correspondence with friends and family and photographs from various stages of her life.

Scope and Contents

The papers of Una Hanbury measure 5.3 linear feet and date from 1910 to 1994, with the bulk of the material from 1966 to 1990. The collection documents the sculptor's career and the dispersal of her estate through business records, project files, subject files, printed material, and photographs. There is also a small amount of material relating to her personal life including correspondence with friends and family and photographs from various stages of her life.
sova.aaa.hanbuna

GUID

https://n2t.net/ark:/65665/mw9bed34e06-6d84-4d8b-ae87-c4a67459ffcb

Creator

Hanbury, Una, 1904-1990

Names

Royal Academy of Arts (Great Britain)
Saunders Sculpture International
Carson, Rachel, 1907-1964
Fuller, R. Buckminster (Richard Buckminster), 1895-
Gilpin, Laura
O'Keeffe, Georgia, 1887-1986
Oppenheimer, J. Robert, 1904-1967
Ripley, S. Dillon (Sidney Dillon), 1913-2001
Segovia, Andrés, 1893-

Occupation

Sculptors -- New Mexico -- Santa Fe
Sculptors -- Washington (D.C.)
Animal sculptors -- New Mexico -- Santa Fe
Animal sculptors -- Washington (D.C.)

Topic

Portrait sculpture, American
Animal sculpture
Women artists
Women sculptors

Provenance

The Una Hanbury papers were donated to the Archives of American Art by the artist's daughter, Jillian Poole, in 1999 and 2006.

Creator

Hanbury, Una, 1904-1990

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Una Hanbury papers

Biographical / Historical

Una Hanbury (1904-1990) was a sculptor in Washington, D.C. and Santa Fe, New Mexico. Hanbury was born in Middlesex, England, in 1904; the incorrect birth date of 1909 that she submitted to Who's Who and other biographical reference sources is cited in numerous published articles. Hanbury [née Rawnsley] exhibited artistic talent as a young child and received instruction from animal artist Frank Calderon. After graduation from London's Polytechnic School of Art, she studied for three years at the Royal Academy. Jacob Epstein was her most influential teacher. Soon after completing her formal education, Una Rawnsley became Una Hanbury and devoted herself full-time to being a wife and mother. During World War II she left England for Bermuda and brought her family to the United States once the war was over. Hanbury settled in Washington, D.C., where she resumed her sculpting career, completing many large scale commissions for public buildings such as the Medical Examiners Building, Baltimore, and St. Mark's Lutheran Church, Springfield, Virginia, among others. She developed a fine reputation as a portrait sculptor, and commissions included busts of Rachel Carson, Enrico Fermi, Buckminster Fuller, Laura Gilpin, Richard Neutra, Georgia O'Keeffe, Robert Oppenheimer, S. Dillon Ripley, and Andrés Segovia. In addition, animals--particularly horses--were a favorite subject since childhood; sculptures were commissioned by several zoos, and horse portraits often were commissioned by owners. In 1970, Una Hanbury relocated to Santa Fe, New Mexico, where she continued working well into old age and became a significant force in the art life of that region.

Extent

5.3 Linear Feet

Date

1910-1994

Archival Repository

Archives of American Art

Identifier

AAA.hanbuna

Type

Collection descriptions
Archival materials
Photographs

Citation

Una Hanbury papers, 1910-1994. Archives of American Art, Smithsonian Institution.

Arrangement

The collection is arranged into seven series. Series 1: Personal Papers, 1926-1983 (Box 1; 4 folders) Series 2: Business Records, 1965-1991 (Boxes 1-2; 1.2 linear feet) Series 3: Project Files, 1961-1992 (Boxes 2-3; 1.8 linear feet) Series 4: Subject Files, circa 1924-1985 (Box 4, OV 7; 1.0 linear feet) Series 5: Estate of Una Hanbury, 1990-1994 (Boxes 4-5; 0.6 linear feet) Series 6: Printed Material, 1926-1990 (Box 5; 0.4 linear feet) Series 7: Photographs, 1910-1991 (Boxes 5-6, 0.3 linear feet)

Processing Information

The collection was processed and the finding aid written by Catherine S. Gaines. The finding aid was modified by Stephanie Ashley in October 2001 prior to EAD conversion. All duplicates were returned to the donor at her request. The second accession was processed to a minimal level, merged into the collection, and the finding aid updated by Kimberley Henze in 2015.

Rights

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Genre/Form

Photographs

Restrictions

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
AAA.hanbuna
https://n2t.net/ark:/65665/mw9bed34e06-6d84-4d8b-ae87-c4a67459ffcb
AAA.hanbuna
AAA

Record ID

ebl-1503512353771-1503512353787-0

Showing 301 result(s)

  • Images 3 Filter by term plus Exclude term minus
  • Archival materials 301 Filter by term plus Exclude term minus
  • Videocassettes (vhs) 1 Filter by term plus Exclude term minus
  • 1910s 160 Filter by term plus Exclude term minus
  • 1920s 164 Filter by term plus Exclude term minus
  • 1930s 165 Filter by term plus Exclude term minus
  • 1940s 167 Filter by term plus Exclude term minus
  • 1950s 179 Filter by term plus Exclude term minus
  • 1960s 198 Filter by term plus Exclude term minus
  • 1970s 219 Filter by term plus Exclude term minus
  • 1980s 244 Filter by term plus Exclude term minus
  • 1990s 199 Filter by term plus Exclude term minus
  • Una Hanbury papers 301 Filter by term plus Exclude term minus
  • Una Hanbury papers / Series 3: Project Files 152 Filter by term plus Exclude term minus
  • Una Hanbury papers / Series 2: Business Records 63 Filter by term plus Exclude term minus
  • Una Hanbury papers / Series 4: Subject Files 30 Filter by term plus Exclude term minus
  • Una Hanbury papers / Series 5: Estate of Una Hanbury 29 Filter by term plus Exclude term minus
  • Una Hanbury papers / Series 6: Printed Material 9 Filter by term plus Exclude term minus
  • Una Hanbury papers / Series 1: Personal Papers 4 Filter by term plus Exclude term minus
  • Una Hanbury papers / Series 7: Photographs / 6.1: Works of Art 3 Filter by term plus Exclude term minus
  • Una Hanbury papers / Series 7: Photographs 2 Filter by term plus Exclude term minus
  • Una Hanbury papers / Series 7: Photographs / 6.2: Una Hanbury 2 Filter by term plus Exclude term minus
  • CC0 301 Filter by term plus Exclude term minus
  • No 296 Filter by term plus Exclude term minus
  • Yes 5 Filter by term plus Exclude term minus
  • ead_component 301 Filter by term plus Exclude term minus

Clear facet(s):

Excluded:

  • Remove Date: 1900s close

O'Keeffe, Georgia, Correspondence and Printed Material

O'Keeffe, Georgia

O'Keeffe, Georgia, Photographic Material

Project Files

Business Records

Birdbaths

Llamas

Works of Art

Potential Customers

Sculpture Demontration

Mullitz, Natalaie

Listening to Music

Iris Flowers

Fountains

Teller, Edward

Bristlecone Pines

Miscellaneous Works, Slides

Letters from Diana Hanbury King to Clients (A-B and R)

Personal Papers

Private Stock Gallery

Wichita Gallery of Fine Art

Orihi Antelope (Antelope and Fawn)

Morris Singer Foundry, Ltd.

Clouds


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