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Enya chief with kalondoli or mokota's leopard-tooth chain, between Kisangani and Ubundu, Congo (Democratic Republic)

African Art Museum

Object Details

Photographer

Elisofon, Eliot

Collection Photographer

Elisofon, Eliot

Collection Citation

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Scope and Contents

"Historically the Wagenia of Kisangani represent an amalgamation of three kin groups, the Bina Nsoko, the Bina Nkulu and, the Bina Lombe. The Wagenia have been characterized by a segmented structure from the beginning. they lack a central authority. Tshesé is mostly used to refer to the entire tribe, while Tshebanda refer to kin group comprising only a few extended family. Despite the existence of chefs or village heads, the norm is for decisions to be made by mutual consultation among all adult males. As a result, long palavers may take place. In pre-colonial times, a kalondoli would try to appease conflicts in his own tshebanda. He nevertheless fulfilled no religious function, as well as no ancestor cult. In the Arabic period the kalondoli became a mokota, a modern term for chief. The whites continued the innovation of the office of mokota. They moreover introduced the new rule in the late 1920s that one mokota had to be chosen from among those of the various bebanda as all-Wagenia representative. The supreme chief took charge especially of external relations, thereby meeting the requirements of the newly arisen situation. Within the tribe, however, he was the first among his equals, like the kalondoli in the tshebanda. A chief in full array used to wear a bark loin-cloth, a shoulder-belt with a sheathed knife, a hemispherical leopard-skin hat fitting the head, a chain of leopard teeth, and neck-, arm- and leg-bands." [Droogers A., 1980: The Dangerous Journey, Symbolic Aspects of Boys' Initiation among the Wagenia of Kisangani, Zaire. Mouton Publishers, The Hague]. This photograph was taken when Eliot Elisofon traveled to Africa from early March 1951 to July 1951, accompanied by his wife, Joan B. Elisofon.
sova.eepa.1973-001_ref35963

GUID

https://n2t.net/ark:/65665/xo7a01eb80b-e8d9-419f-a565-6748b2239032

Local Numbers

Negative number 23074, C-6, 19.

General

Title source: Index card based on photographer's notes.

Place

Africa
Congo (Democratic Republic)

Topic

Leaders
Clothing and dress -- Africa

Photographer

Elisofon, Eliot

Culture

Enya (African people)
Genya (African people)

See more items in

Eliot Elisofon Field collection
Eliot Elisofon Field collection / Congo (Democratic Republic) / EENG / 1951

Extent

1 Negatives (photographic) (b&w, 35mm.)

Date

1951

Archival Repository

Eliot Elisofon Photographic Archives, National Museum of African Art

Identifier

EEPA.1973-001, Item EEPA EENG 08885

Type

Archival materials
Negatives (photographic)
Black-and-white negatives
Negatives

Collection Rights

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. Where noted, some images remain under the copyright of Life/Shutterstock. The collection is subject to all copyright laws.

Genre/Form

Black-and-white negatives
Negatives

Collection Restrictions

Use of original records requires an appointment. Contact Archives staff for more details.
EEPA.1973-001_ref35963
Large EAD
https://n2t.net/ark:/65665/xo7a01eb80b-e8d9-419f-a565-6748b2239032
EEPA.1973-001
EEPA

Record ID

ebl-1536870822481-1536871012671-1

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Eliot Elisofon Field collection

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