Object Details
Names
Howard University
Carr, Tony
Garvey, Marcus, 1887-1940
March, Sydney
Marley, Bob
Collection Creator
Smithsonian Institution. Anacostia Community Museum
Citation
Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D. C. exhibition records, Anacostia Community Museum, Smithsonian Institution.
Scope and Contents
Sydney March, a Jamaican musician and writer, spoke of his memories growing up in West Kingston, Jamaica, including his schooling in East Kingston, playing cricket, and music clubs. He spoke about his connection to Jamaican culture and his roots; freedom in Jamaica; and race in Jamaica versus United States. He explained his thoughts on education, and separation and isolation in the United States; and the importance of learning about all cultures.
March explained he migrated to Washington, DC to attend Howard University, and why he still lived in Washington, DC area. He described the political atmosphere while he attended Howard University; and spoke about prominent figures at Howard University, including Stokely Carmichael, Donald Byrd, Eric Williams, and Sterling Allen Brown.
March spoke about the Jamaican and Caribbean community in Washington, DC, including night clubs and reggae music, and on Howard University campus, where Jamaicans spoke Patois and played cricket and soccer together. He explained there was not much unity between Caribbean and African American communities on Howard University campus at the time, the lived experience that separated the two communities, how long it took for African Americans to connect to Caribbean culture, and the evolution of culture and identity.
March also spoke about ska, reggae, calypso, jazz, rocksteady, and R & B music; Bob Marley, Marcus Garvey, and their philosophies; when and how he started playing music; the musicians he listened to; learning and playing music, and the music scene in Jamaica, London, New York City, and Washington, DC; the various instruments he played; the musicians and bands he played with; some of the venues where he played music in Washington, DC; reggae DJs, including Tony Carr, and impact on rap DJs; DJ battles; Rastafarian performers; and Bob Marley's influence on reggae music. March explained Rastafari and reggae are not synonymous. He also spoke about the Jamaican posse; guns and drugs in Washington, DC; shootings at venues where reggae bands performed; and Operation Caribbean Cruise. Finally, March talked about his writing work and publications.
Interview is in English. Digital audio files include white noise and static; interviewee's voice is intelligible for the most part.
sova.acma.03-027_ref1933
General
Associated documentation, including partial transcripts, for this interview is available in the Anacostia Community Museum Archives. The textual transcripts are not verbatim of the audio recordings.
Title created by ACMA staff using text written on sound cassette, contents of audio recording, textual transcript, and/or associated archival documentation.
Place
Jamaica
West Indies
Washington (D.C.)
United States
Topic
Musicians
Authors
Caribbeans
African Americans
Liberty
Race
Education
Emigration and immigration
Identity
Music
Reggae music
Ska (Music)
Rhythm and blues music
Jazz
Disc jockeys
Rastafari movement
Rastafarians
Gangs
Guns
Drugs
Police
Stereotypes (Social psychology)
Interviews
Culture
Jamaicans
See more items in
Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D. C. Exhibition Records
Black Mosaic: Community, Race, and Ethnicity among Black Immigrants in Washington, D. C. Exhibition Records / Series 3: Oral History Interviews
Sponsor
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF). A number of oral history interviews in this collection were digitized and catalogued in 2022 with support from the Smithsonian American Women's History Initiative.
Extent
2 Digital files
1 Sound cassette
Date
circa 1992-1993
Archival Repository
Anacostia Community Museum Archives
Type
Archival materials
Digital files
Sound cassettes
Collection Rights
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Note
The total playing time of interview recording is approximately 1 hour and 30 minutes.
Collection Restrictions
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
ACMA.03-027_ref1933
https://n2t.net/ark:/65665/qa75a871485-55a7-436c-85c3-b8e23b35d26a
ACMA.03-027
ACMA
Record ID
ebl-1712088000981-1712088003377-0