Skip to main content Skip to main navigation
heart-solid My Visit Donate
Home Smithsonian Institution IK development site for ODI
Press Enter to activate a submenu, down arrow to access the items and Escape to close the submenu.
    • Overview
    • Museums and Zoo
    • Entry and Guidelines
    • Museum Maps
    • Dine and Shop
    • Accessibility
    • Visiting with Kids
    • Group Visits
    • Overview
    • Exhibitions
    • Online Events
    • All Events
    • IMAX & Planetarium
    • Overview
    • Topics
    • Collections
    • Research Resources
    • Stories
    • Podcasts
    • Overview
    • For Caregivers
    • For Educators
    • For Students
    • For Academics
    • For Lifelong Learners
    • Overview
    • Become a Member
    • Renew Membership
    • Make a Gift
    • Volunteer
    • Overview
    • Our Organization
    • Our Leadership
    • Reports and Plans
    • Newsdesk
heart-solid My Visit Donate

1883 Vickery Sisters' Crazy-patch Parlor Throw

American History Museum

There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer
  • Detail - Lincoln ribbon
  • Detail - Bird
  • Detail - 1883

    Object Details

    maker

    Vickery Sisters

    Description

    This crazy-patched parlor throw was made by two sisters who lived in Fall River, Mass. The only information known about them is their last name, Vickery, and that neither sister married. A date of 1883 is embroidered on one silk patch.
    Their needlework is an example of the crazy-patch work that was very popular in the United States from 1870 to 1900.
    This type of quilt was not necessarily made for bedding, and more often was a project designed to be displayed over a chair or sofa in the parlor. The crazy-patchwork throws were constructed of pieces of silk, satin, velvets, and ribbon, and enhanced with fancy embroidery stitches. A wide range of appliquéd, embroidered, or painted motifs provided additional interest.
    This parlor throw consists of many crazy-patched and embroidered parallelograms that were assembled into ten 4 ½-inch vertical strips. The strips were joined and framed by a 2 ½-inch black velvet ribbon border with 1 ¾-inch gold satin ribbon tabs, imposing order on disorderly crazy-patches. Felted appliquéd motifs of flowers and birds adorn several patches. Other patches contain motifs such as fans, butterflies, horseshoes, or spider webs, all frequently found on crazy-patchwork. “Kate Greenaway” figures, another popular motif of the era, are embroidered on several patches. Kate Greenaway (1846-1901) was a popular writer and illustrator of children’s books. Her distinctive style for drawing children was widely copied and appears on various decorative arts of the time.
    Commemorative ribbons were often saved and then used for crazy-patchwork. A silk ribbon souvenir bookmark with an image of Lincoln and the inscription: “THE LATE LAMENTED PRESIDENT LINCOLN” (“T. Stevens Coventry” on the back) is prominent on this parlor throw. It is a modified version of a ribbon the Thomas Stevens Company of Coventry, U.K., made for Lincoln’s second inauguration in 1865.
    Thomas Stevens revitalized silk ribbon weaving in Coventry by adapting the jacquard weaving process to produce woven pictures. Custom-designed ribbons, badges, bookmarks, etc., might have portraits, text, or local scenes incorporated in the weave. The term “Stevengraph” is often used to describe the products. These were marketed at the time as “Stevens’ Patent Illuminated Book Markers.” Although only part of the ribbon is visible on this throw, similar ribbons are further inscribed: “ASSASSINATED AT WASHINGTON / 14 APRIL 1865 I HAVE SAID NOTHING BUT WHAT I AM WILLING TO LIVE BY, AND IF IT BE THE PLEASURE OF ALMIGHTY GOD, TO DIE BY. (A. LINCOLN)”
    While there is little information about the Vickery sisters at this time, their needlework project contains many items of interest. It is a worthwhile contribution to the Collection.

    Location

    Currently not on view

    Credit Line

    Gift of Edith B. Putnam

    date made

    1883

    ID Number

    TE.T14434

    catalog number

    T14434

    accession number

    274324

    Object Name

    quilt

    Physical Description

    fabric, silk, satin, velvet, taffeta, ribbon, wool, cotton (overall material)
    thread, silk, metallic (overall material)

    Measurements

    overall: 62 in x 54 in; 157 cm x 137 cm

    See more items in

    Home and Community Life: Textiles
    Government, Politics, and Reform
    Textiles
    Domestic Furnishings
    Quilts

    Data Source

    National Museum of American History

    Subject

    Quilting

    Metadata Usage

    CC0

    Link to Original Record

    https://n2t.net/ark:/65665/ng49ca746b3-1019-704b-e053-15f76fa0b4fa

    Record ID

    nmah_556454

    Discover More

    Quilt made of colorful patches of various sizes, fabrics, and patterns. Quilt is trimmed with shiny red fabric

    National Quilt Collection

    Quilt made of colorful patches of various sizes, fabrics, and patterns. Quilt is trimmed with shiny red fabric

    Videos

    Quilt made of colorful patches of various sizes, fabrics, and patterns. Quilt is trimmed with shiny red fabric

    About

    Quilt made of colorful patches of various sizes, fabrics, and patterns. Quilt is trimmed with shiny red fabric

    National Quilt Collection

    arrow-up Back to top
    Home
    • Facebook facebook
    • Instagram instagram
    • LinkedIn linkedin
    • YouTube youtube

    • Contact Us
    • Get Involved
    • Shop Online
    • Job Opportunities
    • Equal Opportunity
    • Inspector General
    • Records Requests
    • Accessibility
    • Host Your Event
    • Press Room
    • Privacy
    • Terms of Use