Whistler: Streetscapes, Urban Change

Experience the National Museum of Asian Art’s unparalleled collection of works by American expatriate artist James McNeill Whistler (1834–1903) in a groundbreaking exhibition that explores European cities in an era of rapid change. The show brings together oil paintings, watercolors, pastels, and prints—some on view for the first time in the museum’s history—documenting the artist’s career-long fascination with urban landscapes undergoing drastic transformations at the end of the nineteenth century.

Born in Lowell, Massachusetts, Whistler rose to prominence in Paris and London, where he created many of his shopfront and streetscape images. The picturesque old neighborhoods that the artist frequented were in many cases being razed and redeveloped as parks, thoroughfares, and new homes for wealthy city dwellers. This construction demolished historic structures and squeezed poor and working-class residents into ever more marginalized spaces. Many of the stores and workshops Whistler depicted were torn down shortly after he illustrated them. By the end of his life, Whistler—a determined modernist—had a somewhat undeserved reputation as a historic preservationist.

Debates about preserving historic buildings, the role of public space in shaping communities, and the duty of artists as advocates feel as relevant today in Washington, D.C., as they did in nineteenth-century Europe. To bring these connections to light, the exhibition features commentary by Mēlani Douglass, Tony Ford, Scott Kratz, John Johnson, and Ron Moten. These local Anacostia and Capitol Hill residents explore how Whistler’s depictions of nineteenth-century Europe speak to the challenges their neighborhoods face in navigating the promises and pitfalls of rapid growth and change. 

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